|
Public
Collections
& Commissions |
| |
Yale
University, New Haven, CT: The Richard Minsky Archive
Victoria and Albert Museum,
London, England
The Sackner Archive of Concrete and Visual
Poetry, Miami, FL
The Brooklyn
Museum, Brooklyn, NY
Metropolitan Museum of Art, New York
National Gallery of Art, Washington, DC
Library and Museum of the Performing
Arts, New York
The Morgan Library,
New York
The New York Public Library Rare Book Room
Joseph H. Hirshhorn Museum, Washington, DC
The
Getty Center, Santa Monica, CA
McMillan Library, Nairobi, Kenya.
The White House
Gracie Mansion, New York
Center for Book Arts, New York
Los Angeles Museum Of Craft and Folk Art
Donglomur Foundation, Villanova, PA
+ many other museum
and university library collections
|
| |
| Solo
Exhibitions
|
| |
| 2014 |
|
Center for Book Arts, New York |
| 2010 |
|
Yale University, New Haven, CT |
| 2005 |
|
Syracuse
University Library, Syracuse, NY |
| 2003 |
|
Minnesota
Center for Book Arts, Minneapolis, MN |
| 2002 |
|
Oberlin College Library, Ohio
Louis K. Meisel Gallery, New York |
| 1992 |
|
HarperCollins
Gallery, New York (25 year retrospective) |
| 1990 |
|
Twining Gallery, New York |
| 1988 |
|
Zabriskie Gallery, New York |
| 1981 |
|
Allan Stone Gallery, New York |
| 1978 |
|
San
Francisco Museum of Modern Art |
| 1976 |
|
92nd Street YM-YWHA, New York |
| 1974 |
|
Zabriskie
Gallery, New York |
| 1972 |
|
Guild of Book
Workers, AIGA
Gallery, New York |
| |
|
Group
Shows
|
| |
| 2017 |
|
Protest ≠ Profest: Global
Burdens.
Center for Book Arts, NY |
| 2013 |
|
Art Meets Art. Hudson Opera House, Hudson, NY |
|
2012 |
|
Beaten & Bound.
Lubeznik Center for the Arts, Michigan City, Indiana |
| 2011 |
|
Warren Street. Hudson Opera House, Hudson, NY |
| 2010 |
|
Self-Portrait. Hudson Opera House, Hudson, NY |
|
|
|
Somewhere
Far From Habit. Longwood Center for Visual Arts, Farmville, VA |
| 2009 |
|
Somewhere
Far From Habit. Pierre Menard Gallery, Cambridge, MA |
| 2004 |
|
What's in a Book?
Katonah Museum of Art, Katonah, NY.
The Book at the Back of the Mind Rutgers University, Newark, NJ |
| 2003 |
|
Beyond
Reading: Contemporary Book Art The Ellipse Art Center, Arlington, VA
Love
and/or Terror University of Arizona Museum of Art, Tucson
Visual
Poetics: Art and the Word Miami Art Museum, Miami, FL |
| 2001 |
|
Not
for Publication: In the Spirit
of the Book Hillwood
Museum, Long Island University,
NY |
| 1999 |
|
Legible
Forms Contemporary Art Center
of Virginia, Virginia Beach |
| 1998 |
|
Legible
Forms Chicago Public
Library, Chicago, IL and
Sheldon Memorial Art Galllery,
Lincoln, NE |
| 1997 |
|
Inside
Editions: A Literature of
Punishment The Grolier
Club, NYC |
|
|
Legible
Forms Hand Workshop Art
Center, Richmond, VA |
| 1996 |
|
Love
Arlene Bujese Gallery, East
Hampton, NY |
|
|
The
Alternative Page The
Gallery at Hastings on Hudson,
NY |
| 1995 |
|
Redefining
The Book
Braunstein/Quay
Gallery, San Francisco, CA |
|
|
This
Day in History Center
for Book Arts, New York |
| 1994 |
|
Waking
The Book Rutgers
University, New Brunswick, NJ |
| 1993 |
|
Not
By The Book Pelham Art
Center, Pelham, NY |
|
|
Artists'
Books & Art About Books
Pratt Manhattan Gallery, NY |
|
|
Paper-The
Essential Material HarperCollins
Gallery,NY |
| 1992 |
|
Completing
the Circle: Artists' Books On
the Environment
Minnesota Center for Book Arts,
Minneapolis, MN and four other
venues |
| 1991 |
|
Books
as Art Boca Raton Museum
of Art, FL |
|
|
Objects
of My Affection Elaine
Benson Gallery, Bridgehampton,
NY |
|
|
The
Regilded Age The Newark
Museum, NJ |
|
|
Creatures
Elaine Benson Gallery,
Bridgehampton, NY |
|
|
Dieu
Donne Papermill: 15 Years
Center for Book Arts, NY |
|
|
New
Surrealism New Jersey Center
for Visual Arts, Summit, NJ |
| 1990 |
|
Prints
of the Eighties Pratt
Manhattan Gallery, NYC and Guild
Hall Museum, East Hampton, NY |
| 1989 |
|
2e
Forum International. de la
Reliure d'Art Basel
CH |
|
|
In
the Craft Tradition
Guild Hall Museum, East Hampton,
NY |
|
|
Handmade
Paparworks Aaron
Gallery, Washington, DC |
|
|
The
Eloquent Object Virginia
Museum of Fine Arts " |
|
|
The
Eloquent Object The
Orlando Museum of Art, FL |
|
|
Obsessions
Elaine Benson Gallery,
Bridgehampton, NY |
| 1988 |
|
The
Arts of the Book
Rosenwald-Wolf Gallery,
Philadelphia, PA " |
|
|
The
Eloquent Object The
Oakland Museum, CA, Museum of
Fine Arts, Boston, and
Chicago Public Library Cultural
Center |
|
|
Book
Making: Practical and
Provocative Painted
Bride, Phila. PA |
|
|
Invitational
Exhibition Benton
Gallery, Southampton, NY " |
|
|
Contemporary
Book Arts U. North
Dakota, Grand Forks |
|
|
Off
the Shelf: A New Look at Book
Art Fort Wayne Museum of
Art |
| 1987 |
|
Off
the Shelf ... Sweet
Briar College, VA |
|
|
The
Eloquent Object
Philbrook Museum, Tulsa, OK |
|
|
The
Masters II Long Island
University, Southampton,
NY |
|
|
A
Survey of Book Arts The
Queens Museum, Flushing, NY |
| 1986 |
|
Bookworks
by Photographers Watson
Library, Metropolitan Museum of
Art, NY |
| 1985 |
|
Books
as Sculpture Rutgers
University, Newark, NJ |
| 1984 |
|
The
First Decade: Center for Book
Arts New York Public
Library |
|
|
Ordinary
And Extraordinary Uses: Objects
By Artists Guild Hall
Museum, East Hampton, NY |
| 1981 |
|
The
Birthday Party Oregon
School of Arts and Crafts,
Portland |
| 1980 |
|
The
Naked Book BACA Downtown
Cultural Center, Brooklyn |
| 1979 |
|
The
Open and Closed Book
Victoria and Albert Museum,
London |
| 1978 |
|
The
Book as Art Dayton Arts
Institute, Dayton, Ohio |
| 1977 |
|
Crafts
in The White House Los
Angeles Museum of Craft and Folk
Art |
|
|
The
Object as Poet Renwick
Gallery, Washington, DC and
Museum of Contemporary Crafts,
NY |
| 1976 |
|
The
Center for Book Arts New
City Free Library, New City, NY
and Larchmont Public Library,
Larchmont, NY |
| 1975 |
|
The
Book as Art Fendrick
Gallery, Washington, DC |
|
|
The
Center for Book Arts Creative
Arts Workshop, New Haven,
CT |
|
|
Guild
of Bookworkers New York
Botanical Gardens Museum and
Yale University, New Haven, CT |
| 1968 |
|
Students
of Daniel Gibson Knowlton
Rogers Free Library, Bristol, RI |
|
|
|
| Exhibitions
Curated |
|
|
|
|
2015 |
|
Embraced: The International Community Center for Book Arts, NYC |
|
2015 |
|
The Art of American Book Covers 1875 – 1930: One Hundred Great Covers from the Brown University Library Brown University, Providence, RI |
| 2003 |
|
Open
for Action: Political Book Art Center for Book Arts, NYC |
| 1996 |
|
Illustrated
Books: A Survey of Genres
Colophon Page Gallery |
| 1994 |
|
Out of Bounds
Creative Arts Workshop, New
Haven, CT |
| 1990 |
|
Book
Arts in the USA
Center for Book Arts, NYC, five
venues in Africa, four in South
America |
| 1987 |
|
The
Effects of Time Center for Book Arts, NYC |
|
|
Book Works,
London Center for
Book Arts, NYC |
|
|
Jean
de Gonet Center for
Book Arts, NYC |
|
|
The
Bookworks of Tom Phillips Center
for Book Arts, NYC |
| 1985 |
|
Book Artchitecture
T J Watson Library, Metropolitan
Museum of Art |
| Bibliography |
|
"Books as Modern & Contemporary Art" Art & Design 20, March 28, 2013
"The Bill of Rights as Art" Americana Week, March 28, 2013
"Minsky Exhibition, 75 Dealers at Boston Book, Paper & Photo Expo" Fine Books & Collections Blog, March 12, 2013
[five years of missing bibliography to be inserted here]
"It's About Art" by Scott Brown, Fine Books & Collections March/April 2007
No Longer Innocent: Book Art in America 1960-1980 by Betty Bright. Granary Books, 2005.
"Making Books Speak: Book Art and Politics" by Richard Minsky, International Gallerie, Issue 18, 2006.
"Richard Minsky" by Scott Brown, Fine Books & Collections March/April 2005
"Profile: Richard Minsky" Bound and Lettered vol 4,#2,April 2005
"Bookbinding as Art" Stars Magazine [The Post-Standard, Syracuse, NY] Sunday Feb. 20, 2005
"'The Bill of Rights' Exhibition Comes to Bird Library" Syracuse Record, Feb. 14, 2005
"Arts Library acquires the archive of pioneering book artist Richard Minsky" Yale Bulletin & Calendar, Dec. 17, 2004
"'Bill of Rights' bookworks bound to be provocative" by Thomas O'Sullivan. St. Paul Pioneer Press, April 5, 2003
"Artist Depicts the Bill of Rights in a World Out of Joint" by Ralph Blumenthal. The New York Times, May 20, 2002
"An Interview With Mr. RIchard Minsky: Professional and Academic Perspectives of Book Art" ArtSchools.com, August 6, 2001.
"Nouvelles du front: les derniers travaux de Richard Minsky" par Joëlle Naîm, Art & Métiers du Livre, Jan-Feb 1998
"Richard Minsky" by Caroline Seebohm. At Home With Books, Clarkson Potter, 1995.
"A Time for Judging a Book by Its Cover" by Betty Freudenheim. The New York Times, July 3, 1994
"What Is a Book? Perusing Some Unusual Ideas" by Bess Liebenson, The New York Times, June 5,1994
"Don't write off fascinating show at Arts Workshop" by Judy Birke. New Haven Register, June 5, 1994
"Finishing Books" by Janice Friedman. Bostonia, Winter 1992-93
"Madonna's 'Sex' Binding" A Current Affair, FOX-TV, Oct. 21, 1992
"Naked Came the Bookbinder" by Lisa Interollo. Avenue Magazine, Summer 1992
"August Blues" by Ellen Keiser. Dan's Papers, August 21, 1992
"Richard Minsky/HarperCollins Publishers Gallery" photo in American Craft, June/July 1992
"Richard Minsky" by Jeanne Moos. CNN-TV, May 8, 1992
"Art Pick: Judging by Their Covers" by Catherine Drillis. Manhattan Spirit, April 21, 1992
"Traditions in a Bind"by Jerry Tallmer. New York Post, April 24, 1992
"From the Studio" by Rose C.S. Slivka. The East Hampton Star, April 9, 1992
"New Medium for an Urgent Message" by Mary Ann Grossman. Saint Paul Pioneer Press, March 1, 1992
"Books Cast as Artworks in Exhibit" by Gary Schwan. The Palm Beach Post, August 25, 1991
"Minsky in Bed" East Hampton Star, August 2, 1990
"Wordless Art of Bookmaking" by Jerry Tallmer. New York Post, April 27, 1990
"Bookbinder on a Cabin Cruiser" by Eric Wald. Dan's Papers, Aug. 18, 1989
"Richard Minsky" Art & Metiers du Livre, Oct/Nov, 1988
"Richard Minsky" Arts Magazine, May, 1988
"Books as Art" by Darrel Koehler. Grand Forks Herald. March 25, 1988
"Faculty Show: Ranqe of Ideas" by Fhyllis Braff. NY Times, Sept. 6, 1987
"On Art" by Amei Wallach. Newsday, August 21, 1987
"Alternate Autos" Craft International, April-June 1987
"Bound to Please" Smart Living, Feb 1985
"The Book Transformed" ID Magazine/International Design, Jan/Feb l985
"Reading Matter With a Difference" New York Times, Sept. 7, 1984
"Art in Bondage" Art & Antiques, June 1984
"Ars Gratia Artist" Money, June, 1984
"Art for Debt's Sake" Newsday, March 29, 1984
"New Company Issues a Debenture That's Secured by a Picture Frame" The Wall Street Journal, March 26, 1984
"Richard Minsky" photo in The Athens Observer (GA), Feb 11, 1982
"Richard Minsky" Review in Craft International, Summer 1981
"From Neo-Conceptual to Bodies" Review in Artspeak III,19, May 21, 1981
"Minsky in London" Review in Artforum, January, 1981
"American Book Artist at Large" Crafts (London) Feb. 1979
"Book of the Century" Craft Horizons, Ocotober 1977
"The Decade: Change and Continuity" Craft Horizons, June, 1976
"Richard Minsky" Review in Arts magazine, October, 1974
"Richard Minsky" People Who Make Things by Carolyn Meyer. Athenaeum, 1975
"You Can Always Tell a Bookbinder by His Cover" Acquire, December, 1973
"Vanishing Breed" by Rita A. Black. Book Production Industry, April, 1973
"Richard Minsky" by Rolland Smith. WCBS-TV 6 O'clock News, May 17, 1972
"Another Chapter In Ancient Art of Binding" by Philip H. Dougherty. The New York Times, May 28, 1972
"Art Scene Comes to Queens" by Milton Adams. New York Post, May 16, 1972 |
|
Minsky
and Virtual
Art
I reside in the virtual
world of Second
Life® as avatar ArtWorld Market and publish The
ArtWorld Market Report. Articles about my activities as curator
and critic of virtual art have appeared in artnet,
Financial
Times Deutschland, Die
Zeit, among many others. I was interviewed by Kurt
Andersen on Public Radio
International's Studio
360, and performed a 1½
hour tour of art in the Second Life World at Location One in New York City that was
simulcast in Second Life.
In
August, 2007 I presented a paper in the Business Track of the
Second Life Community Conference in Chicago on "The Art
World Market of Second Life." This was the first study of its kind, examining the differences and similarities between real life and Second Life art, including aesthetic, technical, legal and economic factors. Over 25,000 copies have been downloaded.
|
| |
| Publications
Artist
Books and Editions (click link to view images
and descriptions)
American Publishers' Bindings on the
Books of Amelia E. Barr 1882-1919, 2016
Trade
Bindings with Native American Themes 1875-1933,
2014
The Book Cover Art of Thomas Watson Ball, 2012
The Book Art of Richard Minsky: My Life in Book Art, George Braziller Publisher, 2011
The Art of American Book Covers 1875-1930, George Braziller Publisher, 2010
American Decorated Publishers? Bindings 1872―1929, 2006, volume 2, 2009, volume 3, 2010
Essential Liberty, 2005
The Bill of Rights, 2002
Minsky in Bed, 1996
Animal Magnetism, 1993
Minsky in London, 1980
|
| Art
and Cognition: Guest panelist for international online
symposium, published on the web Nov. 2002—current by D?partement d'?tudes cognitives
de l??cole normale sup?rieure,
Fondation
Fyssen, and Institut
d'histoire et de philosophie des sciences et des techniques. Below
are links to several texts by Richard Minsky:
"Abstract or figurative, it can be a fake original"
"The Theory of Museum Finish"
"Reply to Jos? Luis Guijarro?s comments"
"More on The Theory of Museum Finish"
"Evaluation, Endorphins and Economics"
"The parameters of authenticity"
"The Eyes Have It"
"Digitization of Original Sources"
"Scientific Methodology"
"Point and Line to Plane"
|
?Les aspects ?conomique de l?architecture du web? and ? ?ou
des regrets ? l?infinie ?? by Richard Minsky, in
text-e: Le texte ? L?heure de
l?Internet, Biblioth?que Centre Pompidou, 2003
text-e: participant in virtual symposium, published on the
web October 2001-March 2002 by Euro-Edu, UNESCO, Institut Nicod and
Biblioth?que Centre Pompidou. Below
are links to several texts by Richard Minsky:
"Economics, Technology, and the Time Line"
"Managing Risk for Our Cultural Legacy"
"The Book as Totem, Icon, Memory Object and Spiritual Channel"
"The Economics of Book, Text and Bit Ownership"
"kids, robots, and"
"cross-pollination"
"...or
is it infinite regrets?"
"Digital Domesday"
|
| "Fear
and Greed in the 24-hour Economy" by Richard Minsky. Brown Economic Review,
1999 |
|
"Innovation from Tradition
in the Book Arts" by
Richard Minsky. American Craft,
October/November,
1993 |
|
| |
| Lectures/Seminars
|
| |
|
2020 |
|
The Farnsworth
Museum, Rockland, ME Modernism
in American Book Cover Art, 1872-1930 |
|
2017 |
|
The Cary Graphic Arts
Collection, Rochester Institute of Technology,
Artist in
Residence, Material Meets Metaphor |
|
2017 |
|
The Caxton Club,
The Art of
American Book Covers 1875-1930 |
|
2016 |
|
Metropolitan Museum of
Art, Thomas J Watson Library,
American Publishers' Bindings Symposium |
|
2016 |
|
Minneapolis Institute
of Arts,
The Art of American Book Covers: 1875-1930 |
|
2015 |
|
American Printing History Association Fortieth Annual Conference, RIT.
Restoring and Adjusting Two Iron
Handpresses |
|
2015 |
|
Smith College, Northampton, MA. Keynote
lecture:
Saved
by the Cover: Rediscovering Amelia E. Barr |
|
2015 |
|
Brown
University, Providence, RI.
The Art of American Book Covers: 1875-1930 |
| 2013 |
|
University of North Carolina at Greensboro, American Decorated Publishers' Bindings 1872-1929
Ringling College of Art and Design, Sarasota FL, Material Meets Metaphor, workshop for Book Art students |
| 2012 |
|
The Aldus Society, Columbus Ohio, The Art of American Book Covers: 1875-1930.
Ohio State University, Columbus Ohio, Critique Workshop |
| 2011 |
|
Minnesota Center for Book Arts, Minneapolis. Material Meets Metaphor.
Mid-Manhattan Library, New York City. The Art of American Book Covers: 1875-1930. |
| 2010 |
|
Yale University, New Haven. Material Meets Metaphor. |
| 2009 |
|
University of
the Arts, Philadelphia. Creating, Marketing and Distributing Art in
a Virtual World. |
| 2008 |
|
University of
the Arts, Philadelphia. Material
as Metaphor.
The
Grolier Club, New York City. American
Decorated Publishers' Bindings, 1872-1929.
The New School, New York City.
Parallel Worlds: Explorations in Second Life. Sponsored by The Aperture Foundation. |
| 2007 |
|
The University of
Iowa, Iowa City. The Mitchell Lecture on the Art of the Book.
Location
One, New York City. The Second Life® Art World.
The Second Life Community Conference, Chicago.
The
Art World Market of Second Life |
| 2006 |
|
The
Wizard Academy, Austin Texas. Advanced Thought Particles.
The Guild of BookWorkers Centenary
Symposium, NY. The Book Art Movement from the 1970?s Forward. |
| 2005 |
|
Brown
University, Providence, RI. Visiting Artist
Palmer School of Library and Information Science,
New York, NY. Book Art.
Brown
University, Providence, RI. List Art Center. Material as Metaphor.
The John Carter Brown Library, Providence, RI.
Sonia
Galletti Lecture: The Book Art Movement.
Syracuse University,
Syracuse, NY. Material as Metaphor. |
| 2004 |
|
Washington
University, St. Louis, MO. Material as Metaphor.
Rutgers University, Newark,
NJ. Keynote Speech at the annual Book Arts Symposium. |
| 2003 |
|
Minnesota
Center for Book Arts, Minneapolis, MN. Material as Metaphor.
Joint
conference session of the CAA
and AIC, New York
City:The
Conservator as Artist: Innovation from Tradition |
| 2001 |
|
SHARP
Conference, College of William
& Mary. 25
Years: The Book Art Movement 1974-1999
Long House Reserve, East
Hampton, NY. "Art Criticism: Whose Truth?"
Roundtable panel
with B.H. Friedman and Michael Kimmelman,
moderated by Rose Slivka
The
Hillwood Museum, Long Island
University, NY
San Diego Book
Arts, Bay Park Press, San Diego, CA
The Athenaeum Music and Arts Library, La Jolla, CA |
| 1997 |
|
Columbia
College Chicago Center for the
Book and Paper Arts |
| 1996 |
|
The Book Arts Club, University of Iowa Center for the Book |
| 1993 |
|
American Society of Journalists and Authors, Washington, DC |
| 1990 |
|
Bibliotheque
Nationale, Antananarivo, Madagascar
Guild Hall Museum, East Hampton, NY |
| 1989 |
|
Pyramid
Atlantic, Washington, DC |
| 1988 |
|
Galerie
Zabriskie, Paris, France
Minnesota Center for Book Arts, Minneapolis
Artists' Bookworks, Chicago
U. of Iowa Center for the Book, Iowa City
Parsons School of Design, New York City
New York University, New York City
American Institute of Graphic Arts, Philadelphia |
| 1987 |
|
Master Workshop, Southampton Campus, Long Island University |
| 1985 |
|
Ox-Bow Paper & Book Intensive, Saugatuck, MI |
| 1984 |
|
University of Hawaii, Honolulu
Organization of International Artists, Hanalei, Kauai |
| 1982 |
|
University of
Georgia, Athens
Georgia State University, Atlanta |
| 1981 |
|
University of Washington,
Seattle
Oregon School of Arts and Crafts, Portland |
| 1980 |
|
Rhode Island School of Design Club, New York |
| 1979 |
|
Visual
Studies Workshop, Rochester, NY
London College of Printing, England
Camberwell School of Art and Crafts, England
Byam Shaw School of Art, London, England
The British Crafts Centre, London, England |
| 1978 |
|
Camberwell School of Art And Crafts, England |
| 1976 |
|
School of Visual Arts, New York |
| 1973 |
|
Graduate School of Library Science, St. John's University, NY |
|
| |
| Current |
| |
| Studio Artist |
| |
| History |
| |
| 2002-07 |
|
Chairman, Center
for Book Arts, New York City |
| 1974- |
|
Faculty,
Center for Book Arts
|
| 1990-98
|
|
President,
Center for Book Arts
|
| 1990
|
|
Director,
First National Conference on
"Book Arts in the USA"
|
| 1986-87 |
|
Director
of Exhibitions, Center for for
Book Arts |
| 1978-79
|
|
US/UK
Bicentennial
Fellow |
| 1977-78
|
|
Instructor,
School of Visual Arts |
| 1974-78
|
|
Founder
and President, Center for Book
Arts, Inc. |
| 1972-74
|
|
Owned
and operated hand bookbindery,
printshop and art gallery
|
| 1970-71
|
|
Photographer,
Joseph H. Hirshhorn
Museum
|
| 1960-70
|
|
Owned
and operated letterprpress
printshop
|
|
|
|
| Education |
|
|
|
| 1969-71 |
|
Graduate Faculty,
The
New School for Social Research; Economics, Philosophy of Art |
| 1968-69 |
|
Brown
University, MA Economics |
| 1964-68 |
|
Brooklyn
College, BA cum laude |
|
|
|
|
| Fellowshps/Grants
|
|
|
|
|
1996-97
|
|
Pollock-Krasner
Foundation Grant
|
|
1980-81
|
|
National Endowment for the Arts. Crafts Projects.
|
| 1978-79
|
|
NEA/ICA. US/UK Bicentennial Fellowship.
|
| 1977-78
|
|
NEA. Craftsman's Fellowship. |
| 1976-77
|
|
NEA. Master Craftsmen's Apprenticeship. |
| 1975-76
|
|
NEA.
Ditto (these two grants paid for Richard's apprentice). |
|
| Performances
|
| |
| 1990-92 |
|
Readings from
Minsky in Bed at Canio's
Bookstore, Sag Harbor, NY |
| 1985-87 |
|
Violinist in Tango
quintet. Monthly performances at
Agrupacion des Amigos del Tango en Nueva York |
| 1981 |
|
Performance of ?I Wanna be Riveted? as Old Man Rivet and the Rivetheads, Allan Stone Gallery, NY |
| 1980 |
|
Violin/Language collaboration with Min Tanaka, NYC
Public Demonstration Book Burning, NYC
Fiddle Solo, Mass. State Agricultural Fair, Martha's Vineyard
Video Performance, University of Washington, Seattle |
| 1978-79 |
|
Conducted series of nine Seminars Dansants, London, England |
| 1974-75 |
|
Three live
performances of Gerald Jackson's
Adventures in Ku-ta-ba Wa-do NYC. Composed music for
recording (39 minute LP) played on radio stations
WKCR, WNYU and WBAI |
| 1973-74 |
|
Composer and Musical Director, Direct Theater, NYC
Wrote and produced music for Anele by Peter Gorman
|
| 1971 |
|
Violinist in Paris at Festival de Montparnasse with
two groups: Come With Us (Folk Rock) and Ray
Stevens' Orchestra (Big Band Jazz), and on French
Television (ORTF), Concerts at
Facult? de
Droit and many small clubs |
|
|
|
| Residencies |
| |
| 1990
|
|
Ox-Bow (Art Inst. of Chicago), Saugatuck, MI |
| 1988
|
|
Blue
Mountain Center, Blue Mountain
Lake, NY
|
| 1987
|
|
Blue
Mountain Center, Blue Mountain
Lake, NY
|
| 1985
|
|
Blue
Mountain Center, Blue Mountain
Lake, NY |
| |
|
|
|
|
go to the minsky.com home page
go to the minsky schedule
|
To continue the exhibition, click one of the sections or a button.
Each section has several thumbnail images and descriptions of the works. You can click on any image for a page about that work, with larger pictures and details.
  
©2017 Richard Minsky
Second Life® is a registered trademark of Linden Research, Inc.
|
